Sabtu, 17 Maret 2018

Drive 2011 Streaming Cineblog01

Drive 2011 Streaming Cineblog01









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Drive 2011 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Riannan Faubert

Coordinatore degli stuntman : Latin Briac

Layout dello script :Sharron Jenkins

Immagini : Odom Stein
Co-Produzent : Cogniet Berjon

Produttore esecutivo : Rahid Beck

Direttore della supervisione artistica : Jeffery Darcel

Prodotti : Tricia Collier

Produttore : Midal Zecca

Attrice : Elias Nisanur



A Hollywood stunt performer who moonlights as a wheelman for criminals discovers that a contract has been put on him after a heist gone wrong.

7.5
7582






Titolo del film

Drive

ladurata

159 minute

ildisinnesto

2011-08-06

E Pregio

M1V 1440p
WEBrip

Category

Drama, Action, Thriller, Crime

Il lessico

English

Castname

Vaughn
U.
Yoana, Pagan V. Nana, Raquel E. Mireya





[HD] Drive 2011 Streaming Cineblog01



Cortometraggio

Speso : $498,534,263

Entrate : $751,423,005

Categoria : In secondo luogo, il nome - idea, Film d'opera - Muto , una legge nemici oscuri - Tu figlio , Drammatico - Film d'amore

Paese di produzione : Bielorussia

Produzione : Create Entertainment


穆荷蘭大道 維基百科,自由的百科全書 ~ 《穆荷蘭大道》(英語: Mulholland Drive )是一部2001年美國新黑色 懸疑片,由大衛·林區執導。大衛·林區最初為美國廣播公司做了一部連續劇的兩小時樣片,希望能再創《雙峰鎮》的輝煌,然而當他最終遞交時,公司卻要求對片長和內容作大量的剪裁,在他不情願地完成了剪裁之後,公司又決定放棄

SIDRIVE 維基百科,自由的百科全書 ~ SIDRIVE之全名乃「Subaru IntelligentDRIVE」,為日本 速霸陸重工業自2006年起開發之駕駛輔助系統,中國官方名稱翻譯成斯巴魯智能駕駛提升系統。

OneDrive 维基百科,自由的百科全书 ~ 但微軟以9994的使用者使用少於7GB為理由,將免費使用空間由25GB下調至7GB。並同時推出付款計劃,迎戰Google Drive。 針對舊會員,提供7GB的儲存空間免費升級到25GB(原本就是25GB容量,微軟打算縮減到7GB),兩三個步驟就可以完成,但是有時間限制。

假面騎士Drive 維基百科,自由的百科全書 ~ 《假面騎士Drive》(日語: 仮面ライダードライブ ,英語: Kamen Rider Drive ),從2014年10月5日起於朝日電視台放映,每週日早上800830播出的日本特攝電視劇,假面騎士Drive也是該劇主角變身的英雄的名字。

Google雲端硬碟 维基百科,自由的百科全书 ~ Google云端硬盘(英語: Google Drive )是Google的一個線上同步儲存服務,同時結合Google文件及Google我的地圖的線上文件編輯功能,於2012年4月24日起逐漸開放給用戶使用 。 這項服務早於2006年3月便有傳言提及 。 最早出現的是Google Storage,但不太受關注。Google Drive可視為Google Docs的升級版,把空間從1GB

女武神驅動 維基百科,自由的百科全書 ~ 《女武神驅動》(日語: ヴァルキリードライヴ )是marvelous於anime japan 2015上宣布以小說為基礎的大型跨媒體製作計劃,包括推出掌機遊戲《女武神驅動 比丘尼(valkyrie drive bhikkhuni)》、手機遊戲《女武神驅動 塞壬(valkyrie drive siren)》和電視動畫《女武

曲速引擎 維基百科,自由的百科全書 ~ 曲速引擎(英語: Warp drive )是一種假想的超光速(fasterthanlight FTL)推進系統,經常出現於科幻小說的設定中,尤以在影片《星艦迷航記》中最為常見。 一架裝載著曲速引擎的宇宙飛船,可以以快於光速的幾個數量級的速度航行,同時又迴避了時間膨脹的相對論性的問題。

落日車神 維基百科,自由的百科全書 ~ 《Drive》讓席格感到好奇,他認為主角是個「不曾看到的人物,他有某種目的,他非常擅長一件事,且從不道歉。」普拉特認為這有點像是由 史提夫·麥昆或

浪漫醫生金師傅 維基百科,自由的百科全書 ~ 《浪漫醫生金師傅》(韓語: 낭만닥터 김사부 )為韓國 SBS於2016年11月7日起播出的月火連續劇,由《你們被包圍了》、《Mrs Cop》劉仁植導演與《九家之書》、《家人之間為何這樣》姜銀慶作家聯手打造。

直驅式機構 維基百科,自由的百科全書 ~ 直驅式機構(Direct drive mechanism)是指一設備的動力來源直接由電動機提供,中間沒有經過像 變速箱 ( 英語 : gearbox ) 或是皮帶之類的減速機構。 對應的馬達會稱為直驅馬達(direct drive motor),也會簡稱DD馬達,轉速較低的DD馬達因為其轉矩會比相同功率的馬達要高,因此也會稱為轉矩馬達或是


The patient-man's _Transporter_.

I've never been much of a Ryan Gosling fan (probably why it took me five years to get around to watching _Drive_). I am a fan of virtually every other cast member in the movie, but I didn't know any of them were in it before I started watching it. _Drive_ wasn't enough to bring me around on to the Ryan Gosling train, but I'll tell you who it definitely did put me on to: Director Nicolas Winding Refn.

The direction is truly king here in _Drive_. There are a couple of stylistic choices that didn't work for me, like the repetitive vocal-heavy montages, and I was not at all enamoured by Gosling's character (he seemed like kind of a dick). But overall I was impressed, and will definitely be on the look out for Refn's work in future.

Not only did _Drive_ feature some grandly intense bursts of ultra-violence, it also gave me my first jump scare to make me actually jump in... God... Years. At least.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Fate? Unknown...

Drive is directed by Nicolas Winding Refn and adapted to screenplay by Hossein Amini from the novel of the same name written by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks and Ron Perlman. Music is by Cliff Martinez and cinematography by Newton Thomas Sigel.

Driver (Gosling) has a day job, he's a Hollywood stunt man, but by night he makes the serious cash as a getaway driver for the criminal fraternity. Into his life comes married next door neighbour Irene (Mulligan) and her little boy Benicio (Kaden Leos), pitching him right into the middle of two wars; one is for his emotional worth, the other with the criminal underworld.

Real human being, and a real hero.

They cheered at Cannes, it has garnered instant cult classic status as well as gushing critical praise, Drive is arguably the biggest surprise of 2011. Some would debate that it arrived in a year that was dominated by blockbuster brain drains and pretentious parables, meaning it wouldn't take much for something like Drive to find a favourable audience. Yet Drive is a special movie, the surprise being that it delivers a different film to what the plot synopsis suggests. There would have been many disappointed that it didn't turn out to be something akin to The Fast & The Furious 19, but as its reputation grows, one likes to think that many also had their senses tingled unexpectedly by Refn's western done out in 1980s neo noir attire.

Yes, at first glance it looks like a simple story given over to style over substance leanings, where the fact that our laconic protagonist is not prone to dialogue expansion, could lend argumentative weight to those potential dissenters only skimming the surface of the picture. But the material is in excellent hands, with Refn, Sigel, Gosling and co, calmly unravelling Amini's stripped down screenplay to reveal a gritty urban fable that's laced with ethereal overtones. A picture where a look means more than any words can express, a subtle holding of hands reveals many layers peeling, and then the serene state of play often gets punctured by bouts of shocking violence, yet always it remains a picture big on intelligence, beating a mighty heart in the process.

Propelling the picture forward is the complexity of Gosling's driver character. He has no back story for us to work from, and he gives nothing away outside of the tender bond formed with Irene and child. He is actually one of many purposeful grey areas (or should that be gris areas?) within the plot structure. We learn just enough to be on his side, a noble but flawed hero battling against fate as he fights for the innocent, he be Shane for a modern pot boiling Los Angeles. Helps, too, that he's so cool behind the wheel, where he mines Steve McQueen's effortless charisma. Refn delivers magic moments of car play, from the near ten minute opening getaway extended sequence, to a high speed kill or be killed pursuit, when the action flows it really pumps the adrenalin.

Gosling is amazing, instantly iconic, soft voice matching his soft blue eyes, toothpick perched between teeth, it's a testament to his acting ability that the requisite homages to iconic characters of movies past never veers into parody territory. It's with the calm moments that he triumphs most, be it watching TV with the boy Benicio or just gazing intensely into Irene's eyes, Gosling has a magnetic quality of some significance. Mulligan, too, is wonderful, deftly underplaying Irene to work off of Gosling to create heart aching tenderness, their chemistry superb. Isaac does fine work with the ex-con/husband character that is thankfully not stereotypical, Brooks is Colm Meaney like, thriving on simmering badness, while Cranston puts real heart into the role of Driver's garage boss, the closest thing the Driver has to a pal. The only one dimensional character lands in Perlman's court, but Perlman is such an ebullient and watchable life force the film survives the character's oafness.

From the opening pink neon credits, accompanied by the synth plink of a retro 80s soundtrack (a soundtrack so memorable it lands in the ears and stays there for days), it's evident that Refn is a man who takes his style serious. Drive is full of classy (yes arty) passages, fluid camera movements, single takes, non central framing of characters, slow motion unfurls and eye dazzling chopper shots of a neon lighted L.A., the director has an eye for the quality required to cloak his story. He of course is aided considerably by his editor Matthew Newman, and Sigel's photography. The former is dealing in seamless precision, the latter a master of shades (a lift sequence is to, ahem, die for) and colour toning delights. Marking this out as a Blu-ray essential.

You can name about ten films that Drive has been either likened too or put forward as an influence, and Refn's work here has been touted as an offspring created by Michael Mann, Walter Hill, William Friedkin and Sergio Leone (all viable and all actually high praise indeed). But rest assured, Drive is still fresh and exciting, the perfect movie package. Refn's masterpiece and one of the best films of 2011. 10/10


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